The Way We See It: August 2013

Sunday, August 25, 2013

What’s in a Blur (In Search of Creativity)

Green violetear hummingbird (Colibri thalassinus) - Savegre, Costa Rica
Canon 5D mark iii + Canon 300mm f2.8IS L + Canon 2x mark iii

I recently took a look at my neighbor / wedding photographer’s website (see http://brandonwerth.com) and thought to myself... “man that guy is so damn creative!” Being far removed from the portrait/wedding world, this type of photography seems as foreign to me as working with clay.

Flying Monkey (Cebus capucinus) - Hacienda Baru, Costa Rica

Rather than art, I often describe my work as conservation photography or nature photojournalism. While I always strive to produce the best possible images, I know “creative” is not the first word that comes to mind. At times my work is technical, compelling or emotive, but the word creative is reserved for the artists of the world.

Lapa Lapa Lapa (Ara macao) - Rio Quatro, Costa Rica

To break my current photo-funk, I’ve been on the hunt for creative nature photographs. I know it when I see them, and sadly, this is not what I observe in most of my work. While searching for inspiring photographs of nature, I’ve found many self-described creatives and creativity in post-processing, but the real artists in my discipline seem far and few between. The well-known humanitarian and photo-educator David duChemin is at the precipice of creativity with his portraiture and recent works in nature, but the one I find most compelling is Nick Brandt. Call it retro, but Brandt continues to shoot large negative black & white film while the rest of us toil with our pixels and memory cards. The structure of his images are evocative and expressive in a way that few can extract from their nature and wildlife subjects. There is a depth and emptiness to his images, yet each is filled with the essence of its subject. I call this work creative because Brandt manages to combine the key moment with brilliant technical skills that makes for much more than a journalistic representation of time. I can stare at his pictures for hours.

Flying banana (Ramphastos swainsonii) - Hacienda Baru, Costa Rica

So, what’s with all the burry pics in the blog, you ask?

During every prolonged shoot, I will break from my tendency towards technical perfection and try to escape from my self-imposed constraints. While I won’t be so bold to call any of these images creative, I might describe each as a purposeful attempt at making art from a bit of nature.

Tuesday, August 20, 2013

Costa Rica 2013: My Ficus

The Strangler (Ficus insipida) - Hacienda Baru Wildlife Refuge, Costa Rica
Canon 5D mark iii + Canon 17-40L @ 19mm / f16

This giant of the secondary forest began its life after a clearcut, and has meandered its way towards the sky for the past forty years or so. With buttresses that top out at six vertical feet and a girth of five man hugs, the tree shares all the characteristics of a typical mid-successional species. It’s a nutrient hog that is pre-programmed to strangle its elders in an attempt to fulfill a biological destiny. Much like the cottonwoods and tulip trees of North America, strangler figs (Ficus insipida) grow fast and large in a race to the top. Once there, they bask in the light of day and propagate effusively with a productivity that feeds a complex tropical web.

This particular ficus has been a favorite photographic subject. Located along a mangrove trail in the Hacienda Baru Wildlife Refuge, the fig tree is a landmark between the lodge and an egret rookery. I am drawn to the curvaceous buttress, asymmetric branches, and its largess. The challenge of capture is my muse. I dream of perfect light that is so rare below a rainforest canopy and am always forced to yield my preconceptions in search of a compromise between what is offered and what I can take. This tree has been pictured here in the past (see “Road-tripping Through Ecosystems #4“) and I am certain that I will shoot and show it again. Ok... so it’s not really my ficus, but I wish it were.

Saturday, August 17, 2013

5 Simple Things You Can Do to Improve Your Landscape Photographs

St. Croix River Sunrise - Summer 2013, Stillwater MN
Canon 5D Mark iii + 17-40mm L @ 18mm w/ 6-stop Tiffen Variable ND Filter

Call this one a tweener... a little something from home in between our Costa Rica 2013 recap.

Use a tripod to increase stability, slow you down and permit long exposures.
Wake up early, be on site before sunrise and shoot the pre-dawn light.
Use a strong foreground element like a rock, tree or color to add balance to the image.
Use lines to lead your viewer’s eye into the photograph.
Try to expose in a way that stretches your histogram from the brightest whites (at the right) to the darkest blacks (at the left). This offers you the greatest flexibility when post processing. If the exposure range is greater than five stops between the extremes, then shoot multiple images at various exposures. By capturing a bracketed series you can merge the divergent exposures in software like Photoshop, Photomatix, or Nik HDR Effex.

St. Croix River Sunrise (#2) - Summer 2013, Stillwater MN
Canon 5D Mark iii + 17-40mm L @ 18mm w/ 6-stop Tiffen Variable ND Filter

These pictures were taken on August 13, 2013 @ 6:10 a.m. Each was from a single exposure where I worked to maximize the dynamic range prior to and after image capture. The photographs were pre-processed in Aperture 3.4.5 and finished for presentation in Photoshop CS 5.

Sunday, August 11, 2013

Costa Rica 2013 - Painting with Light

Light Painting with Frogs (Agalychnis callidryas) - Selva Verde, Costa Rica
Canon 7D + Canon 100-400L IS @ 400mm
Exposure: ISO 200 : 6 seconds : f5.6

Used as a way to illuminate foregrounds without flash, light painting adds texture and dimension to star photography and nighttime portraiture. Less commonly applied to wildlife subjects, nocturnal animals are typically photographed with flash traps. While this technique can freeze the motion of an animal on the prowl, subjects caught in a trap often appear startled and unnatural. Additionally, because camera traps are challenging to focus, it’s important use small apertures that will increase the depth of field. The reliance on this technique results in pictures that seem to be littered by branches that reflect the cold and sterile light produced by a flash.

While traveling through the tropics this July, we had the opportunity to do some light painting. Unlike the millisecond pop of a flash-trap, light painting relies on long exposures to soft light. To paint with light, you’ll need a friend or two to illuminate your nocturnal subject. To emulate the appearance of candle or firelight, we covered the bulbs of our dying flashlights with our hands and slowly moved the light near and around the frog. This type of light painting requires you to prefocus, and bump your iso to 400 or 800. I suggest that you use a stable tripod, mirror lock-up and a cable release in order to minimize camera movement. You’ll need to be prepared to experiment with duration of your shutter, take many pictures and stay up late!

Sunday, August 4, 2013

Costa Rica 2013 - Nesting and the Importance of Perseverance

Adult Male Quetzal #2 - Savegre River, Costa Rica
Canon 5D mark iii and Canon 300mm f2.8IS L w/ Canon 2x mark iii converter

When asked how we find so much wildlife and produce so many unique pictures, my answer is unintentionally flippant. Simply put, our photographic outcomes are the product of practice and perseverance. We take many pictures, shoot most weekends, edit ruthlessly, and learn from our mistakes. After working all week to pay for the photography addiction, I look forward to sunrise Saturdays or Sundays with the intent of producing something new within the boundaries of my home range. This is the practice; it is the investment we make that prepares us the fleeting moments.

When traveling, we don’t travel like tourists. It’s not about seeing it all, it’s about making the most of the opportunity. We are “nesters.” We plan ahead, strategically select a few places to stay for extended periods, and we study the patterns in these novel locations.

We are patient and we persevere. After eight trips to Costa Rica, we have become more thoughtful and intentional when making pictures. Repetition is the key to our success. Rather than spray and pray, we’re on the trail early and make return visits to wildlife and landscape hotspots throughout the day. This type of forethought, patience and knowledge is attainable to those willing to nest. The longer we stay, the more we learn, and the greater our productivity.

Adult Male Quetzal #2 - Savegre River, Costa Rica
Canon 5D mark iii and Canon 300mm f2.8IS L w/ Canon 2x mark iii converter

The quetzal images posted were produced because we knew how to use our gear, learned where the birds would feed, and invested the time to revisit a likely roost. While we photographed many individual quetzals during our prolonged visit to the Savegre Hotel, these two pictures were made as we departed lodge. Shot during our fifth and final day at this location, these images exemplify what is possible when you create the time to nest and are willing to persevere.