Showing posts with label Tanzania. Show all posts
Showing posts with label Tanzania. Show all posts

Saturday, April 6, 2013

Impressionism II

Wildebeest B&W (Connochaetes gnou)
Canon 1D mark ii + Canon 300mm f2.8L IS
This wildebeest (Connochaetes gnou) is a tight portrait I made while on safari in Tanzania. We were immersed in a sea of ungulates when I realized that I was too close to make the images I wanted. With dust everywhere and the feeling that the moment was I about to end, I chose to continue working with my 300mm lens rather than waste time switching out cameras. Below is the original pic that has sat in the reject bin until now. I decided to rework the photograph for this post by applying a "creative" black and white digital filter. Here the emphasis has been placed on the tonality in the fur rather than the actual animal. All processing began with Aperture 3.4.3 and was finished in Photoshop CS5. The lead image was further manipulated with Topaz B&W Effects II to produce the painterly-lik output that is pictured above.  
Wildebeest (Connochaetes gnou)
Canon 1D mark ii + Canon 300mm f2.8L IS

©2000-2013 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission.

Sunday, December 16, 2012

The Queen's Land

This Queen's Turf (Panthera leo) - Serengeti National Park, Tanzania
Canon 1Dmk II + Canon 300mm f2.8L IS

Stuart Pimm, professor of environmental ecology at Duke University has collected data suggesting that the African savanna is shrinking. Much like the North American prairie, human expansion is to blame. According to Pimm, "Savanna Africa is in deep trouble and it's in worse trouble in fact, than the world's rainforests..."
Guarding (Panthera leo) - Serengeti National Park, Tanzania
Canon 1Dmk II + Canon 300mm f2.8L IS
More about shrinking savannas and near-catastrophic impact on the “king of the jungle” can be found on PRI (Public Radio International).
©2000-2012 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission.

Saturday, November 17, 2012

An African Retrospective II

Bull Elephant (Loxodonta africana) - Serengeti, Tanzania
Canon 1Dmk II + Canon 300mm f2.8L IS
One more look back... and now it's time to move on. 
Black Rhinoceros (Diceros bicornis) - Ngorongoro Crater, Tanzania
Canon 1Dmk II + Canon 300mm f2.8L IS
Three Warts (Phacochoerus africanus) - Masai Mara, Kenya
Canon 40D + Canon 100-400 f4.5-5.6L IS
©2000-2012 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission.



Thursday, August 2, 2012

Tip #87: Wait for the Moment

Black Rhinoceros (Diceros bicornis) - Ngorongoro Crater, Tanzania


The most valuable tool in my kit cannot be purchased in a typical shoppe; in fact, I’ve never seen one for sale. Sadly, this tool does not fit in my bag nor can it be passed on to another. It is a tool of the mind and must be acquired through deliberate practice.

Many years ago I traveled to Denali National Park with little more than a point and shoot camera and ten rolls of film. My little Pentax had a fixed 35mm lens, shot less than one frame per second and lacked the ability to adjust the focus or shutter. It was a “PhD” (push here dummy), a tool for the masses. I was a poor college student doing research in Alaska, and this camera was on loan from my family. 
I learned a lot about photography during my eight weeks in Alaska, yet none of the lessons had anything to do with optics, exposure or digital noise. In 1986 modern photography was a magazine, and digital referred to the numbers on an HP calculator. Memory cards and LCD screens weren’t even science fiction, they were unimaginable. Yet, with little more than the ability to load the film into that crappy camera, I managed to find THE key tool. 
Sunset from Moro Rock - Sequoia National Park, California
After spending six weeks on an island in the Bering Sea documenting seabird behaviors at five minute intervals, one learns to be patient. Long days in the sub-arctic, where the sun barely sets, offers the opportunity for focused and deliberate study. It was there, in a blind suspended over breaking waves, where I learned how to wait for the moment and see beyond the obvious. 
There are many essential tools available to the modern photographer; some are fantastically expensive while others are more modest. However, the key tool for the Nature and Wildlife Pictorialist (see Gavin Seim) is endurance and patience. During a long hike through Denali with my PentaCrap point and shoot I stumbled upon a pond, I previsualized the way the sun might set, and I put down my pack and waited. That was the day I made my first image, it was the day I became a photographer. 
©2000-2012 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission.

Wednesday, January 4, 2012

Tip #36: Study Images


Black Rhinoceros - Ngorongoro Crater, Tanzania
Canon 1D MarkII + Canon 300mm f2.8L IS + 1.4x Converter

This may be cliché, but I’ll say it anyway... study lots of photographs. 
Seek out the images that inspire wonder and compel you to ask the big questions: 
“Where was it taken?” 
“When was it shot?” 
“How’d they do it?” 
When I began making photographs in the late 1970’s, I became a book seeker. I’d visit local shops, used book stores, swap meets, libraries and garage sales in search of old books and magazines about photography. I was the bargain book boy compulsively looking for images to study. A connoisseur of texts by nature photo masters like Adams, Rowell, Lanting, Muench, Wolfe and Brandenburg, I also reveled in unearthing the work of obscure or lesser known photographers. It wasn’t the personality that I was seeking to emulate, it was the imagery being produced by talented seers of the nature. 
Winter Spring - Marine on St. Croix, MN
Canon 7D + 300mm f2.8L IS
With the ever-rapid expansion of the internet, photo web-galleries, photo-streams, and photo-social network sites, it has never been easier to find amazing work to study. As a photographic enthusiast for more than thirty years, I am still on a mission to study the images produced by masters of this craft. I am forever amazed by the things people see, the way it is interpreted and passion inherent in their work. 
Tip #37: Study Images - The work that precedes you - The work of your peers - The work yet to be done.
Fall Migration - Crex Meadows, WI
Canon 7D + 300mm f2.8L IS

©2000-2012 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission.

Tuesday, December 13, 2011

Tip #26: Intensity in the Moment

Dominance - Lake Manyara, Tanzania
Canon 1D MarkII + Canon 300mm f2.8L IS
Have you experienced the rush? It is a primordial flood of emotion, tension, and excitement triggered by the release of adrenaline. Beats reverberate the walls of the thoracic cavity with each contraction, palms sweat, and the little hairs stand at attention. It is the thrill of the hunt, a connection to a less civilized past, to a time when we were one with nature. This is the intersection between fear and passion, the point where anything can happen, it is the endorphin... the wildlife high. Conservation, preservation and education are the public tagline, but our pursuit of art in nature is fueled by the thrill of the experience. Make images that convey the intensity of the moment.
Ssssnake! - Selva Verde, Costa rica
Canon 5D MarkII + Canon 180mm f3.5L Macro
©2000-2012 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission. 

Monday, August 22, 2011

Tension


Images from the crater... 
Waiting for the drama to unfold...




All pictures displayed were photographed at Ngorongoro Crater - Tanzania
©2000-2011 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission.

Sunday, July 10, 2011

Five Tips for the Inadequate

Defocus and Shoot it Shallow, Ngorongoro Crater - Tanzania
Feeling inadequate because you can’t afford the latest and greatest? Sometimes I do! Just this morning I was surfing the web, visiting some forums, and reading a few of my favorite photo-blogs. I came across a post from a guy who had recently returned from a Tanzanian safari. He had some amazing images... the tight portraits of lions and leopards were stunning. I’d be a liar if I didn’t admit to a tinge of envy. So, I dug into his EXIF data (digital raw data) to determine the camera and lens he was shooting. Sure enough, the images were produced with a Canon 500mm f4.0L IS lens. I whimsically thought to myself... “you too could produce images like this for the low-low price of only $6,999 + tax and shipping!”

Defocused Water Lilies, Caribbean Slope - Costa Rica

Unfortunately, some things are just out of reach for mere mortals. I can’t justify that type of expense on gear because I don’t derive my income from my craft. And isn’t this what it’s all about. This thing I do with cameras is my way of exploring the natural world... it is the way I express myself... it is how I escape my everyday reality and relax. Photography is my art, and at the core of this exploration is my vision. At times it is a real challenge to fight gear envy, but in the end, gear is just this... a tool. Camera equipment is the ephemeral thing, it comes and it goes. In contrast, the final image... your vision, is forever. So rather than waste time obsessing about the gear, we image makers should be obsessing about the process. We are all on a vision quest seeking a way to tell a story about a place and time. 

Saturday, October 30, 2010

Tanzania 2008 Buy the Book @ Blurb: Jambo Tanzania




Jambo Tanzania by Bruce and Tamy Leventhal

©2000-2010 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission

Wednesday, August 18, 2010

Kenya 2010: Published in Strange Places


Prudent Advice
Ok, well this really isn't a post about our summer safari to Kenya, but it is tangentially related. Shortly after the birth of my adorably cute niece, my sister Jaime began to author some "lessons of questionable importance" that she hoped to share with her daughter. It was a frenzied creative process where she would write quips about life, living, future, family and fun. However, this is not a list of trite thoughts that we have all heard time and again. Rather, this is a collection of musings defined by honest insight, tough love, realism and, yes, dreams. This little personal project blossomed into a blog that spidered across the internet. The blog became the seed for the book, "Prudent Advice," and a DIY website for parents and kids called "PrudentBaby.com."
Prudent Baby.com
It's really funny how one little idea intended to enrich a mother-daughter relationship blossomed into something so rich and engaging. 


So, where do Tamy and I fit into this elaborate and seemingly unrelated web about parenting? 
Knowing how concerned Tamy and I were about environmental, social and cultural issues, Jaime asked if we had any thoughts or images that we would like to share with her daughter. While I can be quite verbose, the thoughts did not flow, but the images did. We sent a few pictures from our travels, and Jaime seemed to connect with this group of Masai ladies adorned in their traditional clothes and jewelry. 


Pensive Masai Warrior
Ngorongoro Crater, Tanzania
Canon 1DmkII & 300mm f2.8IS
We are quite pleased with the words about travel (Advice 415) that support are image and love the way the work is displayed in the book. 


Prudent Advice is now available for pre-order on Amazon.com, and is the ideal gift for new mothers, baby showers, or someone looking for way to tell a daughter that she is loved. 


One final point... and a shameless plug for the The Way We See It... please visit our link to prudentbaby.com where we offered 25 Tips for Taking Great Photographs... you just might get a few new ideas!


©2000-2010 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission

Prudent Advice, © 2010, Jaime Morrison Curtis
Prudent Baby, © 2010, Property of Jacinda and Jaime

Sunday, June 22, 2008

Tanzania 2008: A Very Different Landscape




As we awakened for the final time in Tanzania we couldn’t help to know and believe that this would NOT be our last visit to Africa. Our day began with an early breakfast at the Dik-Dik hotel. We enjoyed a sumptuous meal of eggs, fruit, and cheeses before beginning our final safari drive. While food security and hunger is a pervasive problem throughout various regions of Africa, this was certainly not our experience. At times the opulence of our travels pulled at our collective conscious; international travel has a way of revealing the difference between needs and wants. Tamy and I are quite fortunate to live the life we do and live it where we live, this is an inequity that haunts me now and will certainly haunt me in the future.

The city of Arusha lies between Mt. Meru and it’s more famous brother Mt. Kilimanjaro. On clear days it is possible to see both mountains piercing the sky from the valley that surrounds the city. We left the Dik Dik as the sun was rising above the horizon. Although we were all weary from the previous day of travel, there was this collective desire to see the magic of Africa one last time. 

Arusha National Park lies within the foothills of Mt. Meru. Once we crossed the park gate, we were immediately enveloped by the wet montane forests that characterize the foothills of this mountain chain. Arusha National Park is uniquely different from the parks lying within the Rift Valley. The thick tropical trees are teeming with wildlife, and are home to blue monkeys, black and white colobus monkeys, trogons, and hornbills. Much like Ngorongoro Crater, the park is a microcosm of East African habitats. Lying within this lush forest are the unspoiled slopes and marshes of the Ngurdoto Crater. The road through Arusha leads you past wooded savannahs, wet meadows, and alkaline lakes. Although the distribution of wildlife was less dense than the Serengeti, it was no less exciting. 

During this final game drive we were able to see and photograph giraffes, water buffalo, elephants, waterbuck, zebras, warthogs, blue monkeys, black and white colobus monkeys, flamingos, kingfishers, bee-eaters, black-shouldered kites, and countless other species of mammals.

Although the Serengeti and Ngorongoro Crater are the “main-attractions” of a Tanzanian safari, I strongly suggest that travelers carve out at least one day to visit Arusha National Park. Because this rich landscape is so uniquely different from the other safari destinations, it should be on your must see list.

©2000-2010 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission

Saturday, June 21, 2008

Tanzania 2008: The Road to the Dik-Dik through Tarangire National Park




There was a bit of melancholy as we rolled out of bed at 5:15 this morning. Our trip that began with a puddle jumping flight into the heart of the Serengeti was feeling as if it was about to end. This was our final day outside of Arusha, and I could not help feeling a sense of sadness. Being a photographer in Tanzania is a truly unique experience. While countless others have lived the adventure that Tamy and I shared this June, it still felt so personal. Nine-thousand images later, we both feel so enriched by our experiences, with the people, the land, and the animals. Words, pictures and video could never convey the diverse emotions we felt throughout the trip.  

Tarangere National Park is a dry and dusty place. Red dust coats anything that travels through the park. Even the wildlife wear the park color on their fur and skin. Elephants painted in burnt-umber will grab a trunk full of the sand and blow it all over their bodies or roll around in a pool of red dry dust. Much like the other national parks we visited throughout the trip, the wildlife was plentiful and accessible from the road. While we continued to look for leopards and lions, we could only find the giants that roamed throughout Tarangire.

As nature photographers, we try to share nature without the hand of man. While we both know that much of our natural world is at the mercy of human decisions... should we kill it, eat it, destroy it, or develop it... we would like to believe that there are still a few places that cannot be threatened or altered by our presence or absence. This is what we hope to convey with some of the images shared from our travels. However, I must confess that this ethic and photographic style, to show nature without our human impact, has cost us some awesome photographic opportunities. For example... lunch at Tarangire...

Some time around 1:00 p.m. we found a picnic area to enjoy lunch. Michael prepared a great meal of spaeztel, vegetables, and cheese. As the food was being prepared, you would have to be dead to not realize what was about to transpire. The odors from Michael’s stove were beginning to attract visitors. Sure it began with only one vervet monkey, but like hyena smelling a fresh kill, the monkeys began to multiply. I started to get a nervous feeling when one bold fellow climbed a tree that was about 5 meters from our lunching spot. Here is where I wish the photographer in me would have said, "get the damn camera!" No sooner had I shook off the notion that pictures of animals near humans would be interesting, did I regret the thought. As I began to put a piece of bread in my mouth, I caught a glimpse of the vervet in a crouched position. Like a tightly compressed spring, the potential energy in the monkey’s legs suddenly became kinetic. I could see the animal in mid air diving for the center of our table. I thought to say "Oh Noooo!" but just backed off a bit to give him a bit of space. Sadly, most of the others were not as keen to the moment as I. As a few of us backed up, others experienced the force of the monkey's landing. They also experienced the mess as the plates bounced, and the sense of loss as their food was pillaged by the marauder. I imagined that the little bold monkey would be greeted like a hero by his peers that seemed to be laughing from a distance. My only thought was, "I wish I had the damn camera!"

©2000-2010 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission

Friday, June 20, 2008

Tanzania 2008: Goodbye Ngorongoro Crater - Good Morning Lake Manyara




We left Ngorongoro Crater after a full day of photography on the 19th. The safari experience at "The Crater" surpassed our expectations and will forever be among our most treasured travel experiences. My only regret is that we had a single day to explore this unique and iconic location in Tanzania. While most tours limit a day's crater experience to about six hours of photography, Terry (our tour leader) and Joseph (our lead guide) extended our shooting time to nearly eight hours... for this, I am especially grateful.  

From the crater we traveled south and east towards Lake Manyara National Park and spent a beautiful evening at the Serena Lake Manyara Lodge. Like all of our previous Serena Lodge experiences, this was an exquisite location to stuff ourselves with fine cuisine and sleep off another exhausting day of photography. 

We were up by 6:00 a.m. ate a quick breakfast and piled our bodies back into the Land Cruisers for another full day of photography and travel. We would begin our day in Lake Manyara National Park, and end at the Sopa Tarangeri Lodge.  

Lake Manyara National Park lies on the edge of the Rift Valley and encompasses a mere 325 square kilometers. Although it is not nearly as large at Serengeti National Park, it is more biodiverse. The park consists of six distinct ecosystems that include: a rift valley lake, shoreline, open savanna, dense wet woodlands, and steep mountain forests. Lying within this narrow strip of land is the long alkaline Lake Manyara. The biodiversity of the park includes tree-climbing lions and leopards, forest ungulates, elephants, and a dizzying diversity of avian fauna. While our trip was not a birding expedition, this park has been listed as a birder's paradise.  

As we traveled throughout the park, the distinctly different ecosystems were identifiable by the diversity of trees. Tropical ficus plants dripped with water in the wet forests while dry acacia and grasses dotted the savanna. It was here that we saw our first boabab trees, I now regret not looking for a way to capture an image of these leafless beasts that appeared to be growing upside down. We spent much of our driving time in search of leopards and treed lions, but saw neither.  

Although we did not have an opportunity to photograph any of the big cats today, we did have one unique photographic experience. Hiding within the brush between the edge of a dry forest and grassland was the diminutive Kirk's Dik-Dik. A dik-dik is a tiny antelope with a prominent black eye encircled by a white ring of fur. Lying below the eye is a distinctive preorbital gland and prehensile nose. Dik-Dik are unique in their monogamy and territorial behavior. Family groups engage in dunging, a ritualistic activity in which individuals urinate and defecate on distinct middens.  

©2000-2010 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission

Thursday, June 19, 2008

Tanzania 2008: Ngorongoro Crater




Ngorongoro Crater lies within the Ngorongoro Conservation Area (NCA). It is the world's largest unbroken and unflooded volcanic caldera. The crater formed when a volcano collapsed on itself two to three million years ago. The highlands of the crater extends 610m down onto the caldera floor. While traveling from the highlands into the crater, you can begin to see why it is so biologically diverse. Entering the crater rim is like traveling downward through a montane rainforest. Thickets of acacia trees give way to savannah, lakes, and river carved valleys. The crater is a microcosm of Northeastern Tanzania and concentrates the diverse megafauna into a confined area. As a result, wildlife is more easily accessible than on the open plains of the Serengeti.  

I lack both the vocabulary and eloquence of style to adequately describe our photographic experience in Ngorongoro Crater, as such, I will let the pictures do the talking for me... please visit the Ngorongoro Crater Gallery at http://www.btleventhal.com

©2000-2010 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission

Wednesday, June 18, 2008

Tanzania 2008: The Cradle of Humanity




It's difficult to know if the African ash will ever come off, and as far as I can tell, I am now a slightly darker shade of gray. Although I managed to spend a good twenty minutes in the shower last evening, the clouds of burnt carbon made aloft by our feverish drive to the cheetah feels as if it has bored into the pores on my face, hands and arms. Blackness is discharged when I blow my nose, and Q-tips are the color of charcoal whenever I attempt to clean my ears. Regardless of the permanence of my newly acquired dirt, the experience of pursuing a cheetah and lioness on her prey was priceless (lookout MasterCard).  

Sleep comes easy on the savannah. I think that I was engaged in a battle with a giant stick insect (order Phasmatodea) when my alarm abruptly ended the dream. Yesterday evening was our last night on the Serengeti, and today we head east towards Ngorongoro Crater. After spending six nights and seven days in Serengeti National Park, I am already working on a plan to visit this special place again. There is some intangible characteristic of Africa, specifically Tanzania, for which words cannot describe. I feel my own biological connection to this place and can visualize how natural selection has shaped the evolution of these animals and this ecosystem. The feeling of connectedness is so strong that I see myself, and the origin of our species, wherever I look.  

We had to be out of Serengeti National Park by 11:30 a.m. or face a fine for a delayed departure. The parks in Tanzania do not receive funding from the government; they obtain all of their revenue from tourism. As such, fees and fines can often be exorbitant.  

As we moved from the Serengeti into the Ngorongoro Conservation Area the grassland gave way to desert. The forested rivers and abundant grasses were replaced by a sparsely covered landscape. Much like driving through the Mojave Desert, this was a trip into infinity. I was contemplating desert survival strategies as my eyes wandered from mirage to mirage. Time passed as I imagined the challenges of survival in such an inhospitable place. When our caravan made the abrupt right turn into the desert, I was vaulted back into the present. Looking around, I realized that we were not driving on a road. Traveling nearly 80 km/h, sand and dust swirled in our wake. We were all clueless  about our destination as we traveled further into the desert. In the distance I could barely make out tow distinct spots. One looked like a bush, the other was a red dot. It took fifteen minutes, but we eventually passed two lean men dressed in red blankets. They each carried a long stick and walked into the infinity with their herd of cattle. We were not to visit the red dots just yet; this was a trip to the bush. Ten minutes later, the bush grew into a giant acacia. Our Land Cruisers parked to block the wind and we began the "Michael Show" once again... We were feasting under the ONE tree.

By 2:00 p.m. we piled ourselves into the trucks and continued our off-road journey. It's hard to describe how the desert here is different from the desert there, but something must be different. This desert, that we are now approaching, is a home.  

As soon as we disembarked from the Land Cruisers, the chanting began. The sound emanating from the Masai was deep and guttural. The circle tightened around our group as these tall lean men bellowed. Each Masai warrior wore a colorful shuka (blanket) and carried a long pointed spear. As fast as it began the chanting stopped and one man stepped into our circle. He towered over us and, to my surprise, began to speak English. Our interpreter was educated, lived an urban life, but wanted to return to his culture. The Masai are semi-nomadic pastoralists, live in stick and mud huts (boma), and take whatever the land has to offer. Cattle are their currency, their food, and their bank account. To marry a man must have cows. While goats are slaughtered for meat, the blood of cattle is mixed with milk to make an iron and protein rich pudding. The men herd their cattle each day and travel more than 20 km to pasture and water the animals. The women farm and collect food from the environment. Each evening the cattle are returned to the encircled village where they are protected from nocturnal predators.  

©2000-2010 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission

Tuesday, June 17, 2008

Tanzania 2008: It was not a Disappointment



Captivating images often have three things in common; the subject is interesting, the composition is engaging, and the light illuminates but does not dominate. Any one of these three elements can stimulate a viewer, but when all three pieces of the puzzle are assembled into a single photograph, your audience can climb into the picture and "be there." While it might appear that the subject is the one key element that makes a photograph successful, I would argue that any subject could be made to look interesting in the "right" light. Today's game drive was as much about the light as it was about the subject.

The best light occurs during dawn and dusk.  
Today the game drive began at 6:00 a.m. and ended at 7:00 p.m. By now Tamy and I were a blend of extreme fatigue and enthusiasm. Our sleep was brief, but the potential of each new day provided the incentive to extract ourselves from bed. We reassuree each other by saying things like: "We're in Africa, let's not waste is on sleep," or "Suck-it-up, we're going to get really good light now!" These cheap motivational tricks worked better when I was ten years younger, but now they just seem like trite little platitudes. So there we were, tired and enthusiastic, sitting in the Land Cruiser with a lousy boxed-breakfast, thermos of coffee and photo gear.
    
Our safari group was split between three vehicles and three guides. Terry (the tour leader) sat shotgun with Joseph (the lead guide), Michael (the "Bush Cook") sat shotgun with Clementh, and  Mousa (the third guide) captained his "ship" alone. Mousa had to deal with us today. Tamy and I stood on the truck's seats with our heads and torsos exposed to the elements as the cruiser lurched down into the savannah. It was a beautiful morning. The sun was slowly climbing above the rolling hills and kopjes. Fatigue was replaced by the anticipation of something good. Sadly, the landscape appeared to be void of anything interesting. Like "Winnie-the-Poo and the Blustery Day" when it "rained and rained and rained...," we drove and drove and drove. By the time we stopped for lunch we had traversed some 75 km and had very few photographs to show for the effort. Our excitement for the "good light" was replaced by disappointment.  

I decided to venture off on foot while Michael prepped another incredible bush lunch. Realizing that the clouds had offered a bit of drama, I scampered into the savannah to do a bit of landscape work. The endlessness of the savannah grass and big blue skies makes Montana look like a finite Christmas globe. My disappointment was beginning to fade as I began to see the landscape take form in my viewfinder.  
By the time lunch was over, we were all refreshed and ready for an afternoon adventure.

It was 3:00 p.m. and we all began to think that the day was a going to be a bust. Sure we had seen some wildlife, but it lacked the drama of our previous game drives. We'd stop, photograph a few birds or some gazelle, and move on. Where were the cats, elephants, giraffe? Where did they all go?
Deflated and tired from the early start, we began to accept the reality of the day. It was at this point that the safari god began to smile. The real day's adventure began with a sharp turn to the left onto a dusty and burnt road. The savannah had been torched to black ash. All three trucks sliced through the ashen road in pursuit of the imperceptibly small dot in the distance. The black dust swirled into dust devils and coated our faces, bodies, and cameras... by the time the day was over we looked like poorly decorated actors in a low-budget minstrel show.  She was beautiful sitting on the blackened termite mound. The cheetah sat proud surveying her savannah. We made a cautious approach and managed to spend a good half hour with her before she walked into the endlessness in search of some good meat.  

The tension and disappointment dissipated as we made our way back to the lodge. The light was diminishing as the sun began to sink into the horizon. Once again the safari god smiled. The lioness had sunk her face into the hide of her wildebeest. Every once in a while she'd stand, glare, and resume the feast. She was weary and detested the vultures that flew above. She was in perfect light.

Today was not a disappointment and the safari god smiled.  

©2000-2010 BTLeventhal.com / Bruce & Tamy Leventhal. All rights reserved. No image on this site may be used without permission